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Attributs	Valeurs
type	work Issue
Is Part Of	http://hub.abes.fr/oup/periodical/musicj/2005/volume_86
has manifestation of work	http://hub.abes.fr/oup/periodical/musicj/2005/volume_86/issue_1/m/print http://hub.abes.fr/oup/periodical/musicj/2005/volume_86/issue_1/m/web
Date Copyrighted	2005
Rights	© Oxford University Press 2005; all rights reserved
issue	1
is Is Part Of of	Review: The Brahms Notebooks: The Little Treasure Chest of the Young Kreisler. Quotations from Poets, Philosophers, and Artists Gathered by Johannes Brahms Correspondence Review: Late Beethoven: Music, Thought, Imagination Books Received Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music Review: The Music of Luigi Dallapiccola Review: The Cambridge Companion to Mozart Review: Exploring Twentieth-Century Music: Tradition and Innovation Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question Review: The Almain in Britain, c.1549-c.1675: A Dance Manual from Manuscript Sources Review: Philipp de Monte (1521-1603): Komponist, Kapellmeister, Korrespondent Review: The Collected Essays of Milton Babbitt ‘My Ladye Nevell’ Revealed Review: Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court Review: Samuel Wesley: The Man and his Music Review: George Onslow Review: Music Drama at the Paris Odéon, 1824-1828 Review: Der ‘Komponist’ Richard Wagner im Blick der aktuellen Musikwissenschaft Corrections Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650-1850 Review: Mendelssohn’s ‘Italian’ Symphony Review: Death-Devoted Heart: Sex and the Sacred in Wagner’s Tristan and Isolde Recipients of ‘Music & Letters’ Awards Review: Reflections of an American Composer Review: Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer Notes to Contributors Review: History, Imagination and the Performance of Music Bruckner and the Phrygian Mode Review: Crossing Paths: Schubert, Schumann, and Brahms

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