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Attributs	Valeurs
type	work Issue
Is Part Of	http://hub.abes.fr/oup/periodical/musicj/2009/volume_90
has manifestation of work	http://hub.abes.fr/oup/periodical/musicj/2009/volume_90/issue_3/m/print http://hub.abes.fr/oup/periodical/musicj/2009/volume_90/issue_3/m/web
Date Copyrighted	2008 2009
Rights	© The Author (2008). Published by Oxford University Press. All rights reserved. © The Author (2009). Published by Oxford University Press. All rights reserved.
issue	3
is Is Part Of of	The Canzone villanesca alla napolitana: Social, Cultural and Historical Contexts. By Donna G. Cardamone. ‘Music & Letters’ Awards The Music of Louis Andriessen. By Yayoi Uno Everett. Kutuzov's Victory, Prokofiev's Defeat: The Revisions of ‘War and Peace’ Creations: Medieval Rituals, the Arts, and the Concept of Creation. Ed. by Sven Rune Havsteen, Nils Holger Petersen, Heinrich W. Schwab, and Eyolf Østrem. Josef Suk: Tematický katalog skladeb/Thematic Catalogue of the Works (JSkat). Ed. by Zdeněk Nouza and Miroslav Nový. About Bach. Ed. by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. By Christina Bashford. Comparative Organography in Early Modern Empires What Kind of Theory is Music Theory? Epistemological Exercises in Music Theory and Analysis. Ed. by Per F. Broman and Nora A. Engebretsen. Notes to Contributors Händels Oratorien: Ein musikalischer Werkführer. By Claus Bockmaier. Inventing the Business of Opera: The Impresario and his World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. Material Gains: Assessing Susan McClary Zwischen Bekenntnis und Verweigerung: Schostakowitsch und die Sinfonie im 20. Jahrhundert. Ed. by Hans-Joachim Hinrichsen und Laurenz Lütteken.. Dmitri Schostakowitsch: Das Spätwerk und sein zeitgeschichtlicher Kontext. Ed. by Manuel Gervink and Jörn Peter Hiekel.. Schostakowitsch und die Symphonie: Referate des Bonner Symposions 2004. Ed. by Hartmut Hein and Wolfram Steinbeck.. Dmitrij Šostakovič: Grauen und Grandezza des 20. Jahrhunderts. Ed. by Manfred Sapper and Volker Weichsel.. Der Komponist als Erzähler: Narrativität in Dmitri Schostakowitschs Instrumentalmusik. Ed. By Melanie Unseld and Stefan Weiss. A Soviet Credo: Shostakovich's Fourth Symphony. By Pauline Fairclough. Nigel Fortune: An Appreciation Alban Berg and Hanna Fuchs: The Story of a Love in Letters. By Constantin Floros. Trans. by Ernest Bernhardt-Kabisch. Edward Elgar and his World. Ed. by Byron Adams. Books Received Letters from a Life: The Selected Letters of Benjamin Britten, Volume Four 1952-1957. Ed. By Philip Reed, Mervyn Cooke, and Donald Mitchell. The Music of Hugh Wood. By Edward Venn. Authors of Articles in this Issue The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner. By Matthew Gelbart. The Cambridge Companion to Schumann. Ed. by Beate Perrey. Music in the Galant Style. By Robert O. Gjerdingen. Josef Suk — dopisy o životě hudebním i lidském. Ed. by Jana Vojtěšková. Der Topos der Juden. Studien zur Geschichte des Antisemitismus im deutschsprachigen Musikschrifttum. By Annkatrin Dahm. Twentieth-Century British Authors and the Rise of Opera in Britain. By Irene Morra. Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612 Nicholas Maw: Odyssey. By Kenneth Gloag. Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush Recipients of ‘Music & Letters’ Awards Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. By Alexandra Pierce.. Sound in Motion: A Performer's Guide to Greater Musical Expression. By David McGill.

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