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type	work Issue
Is Part Of	http://hub.abes.fr/oup/periodical/notesj/2010/volume_57
has manifestation of work	http://hub.abes.fr/oup/periodical/notesj/2010/volume_57/issue_2/m/web http://hub.abes.fr/oup/periodical/notesj/2010/volume_57/issue_2/m/print
Date Copyrighted	2010
Rights	© The Author (2010). Published by Oxford University Press. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org
issue	2
is Is Part Of of	Books Received HMS Belvidera and the Temple of Minerva Richard Burton and Nassif Mallouf ‘The Wolf Shits Wool’: Piers Plowman C IX 265-265A The Oxford Handbook of Samuel Taylor Coleridge, ed. Frederick Burwick. An Overlooked Source for the Opera Scene in Tolstoy’s War and Peace A Catalogue of Coleridge’s ‘Great Circulating Library’ Doolie ‘Grievous’ in the Testament of Cresseid Ghaerbald’s First Capitulary, the Excerptiones Pseudo-Ecgberhti, and the Sources of Wulfstan’s Canons of Edgar A Swiftian Fable: The Origin of Leather in H. G. Wells’s The Time Machine James Stephens, C. S. Lewis, and the Goat-God The Beginnings of English Drama, a Questionable Start Patricia A. Cahill, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage. Phebe Jensen, Religion and Revelry in Shakespeare’s Festive World.. Matthew Steggle, Laughing and Weeping in Early Modern Theatres. Virginia Blanton and Helene Scheck (eds.) Intertexts: Studies in Anglo-Saxon Culture Presented to Paul E. Szarmach. Teetotalism Pamphlet by G. W. M. Reynolds Rediscovered Susan M. Felch (ed.), Elizabeth Tyrwhit’s Morning and Evening Prayers. The Collision of Ages: H. G. Wells’s Time Machine and its Reception of Hesiod The author of Tales of the R.I.C. Nicholas D. Smith, The Literary Manuscripts and Letters of Hannah More. Kirk Melnikoff and Edward Gieskes (eds), Writing Robert Greene: Essays on England’s First Notorious Professional Writer. A Grammar of Old Frisian, for the Twenty-First Century Madelyn Detloff, The Persistence of Modernism: Loss and Mourning in the Twentieth Century. The Four Bottle Man in Dickens’s Dombey and Son The Blues of Millenial Mahon in The Yellow Book and Harbour Lights A Poem Wrongly Ascribed to Johnson and to Coleridge An Allusion to Horace in Roderick Hudson Fiona Stafford, Brief Lives: Jane Austen. Two Greek Syllables in Wharton’s ‘The Pelican’ Locating Ludica in The Old English Martyrology Another Source for ‘The Fall of the House of Usher’ Longfellow and the Library of Myles Standish Nancy Rosenfeld, The Human Satan in Seventeenth-Century English Literature: From Milton to Rochester. Some Disputed Etymologies: Kidney, Piskie/Pixie, Tatting, and Slang Richard Raatzsch, The Apologetics of Evil: The Case of Iago. Out Of Kelter, Helter-Skelter Two Allusions in the Provisional Title for Samuel Beckett’s More Pricks than Kicks George Eliot, Lucretius, and Bacon Solomon and Saturn I’s ‘Prologa Prima’ John Milton, The Complete Works of John Milton Volume II: The 1671 Poems Paradise Regain’d and Samson Agonistes, edited with introduction, notes and commentary by Laura Lunger Knoppers. Buddhism in Virginia Woolf’s Between the Acts ‘Ye Gods and Little Fishes!’ Sara Munson Deats and Robert A. Logan (eds), Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Alexander Dick and Angela Esterhammer (eds), Spheres of Action: Speech and Performance in Romantic Culture. A Possible Hapax Legomenon in Vanity Fair McColley, D. K., Poetry and Ecology in the Age of Milton and Marvell. The Death of Roger Whelpdale, Bishop of Carlisle 1419-23 Kevin Sharpe and Steven N. Zwicker (eds), Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England. Julia Crick (ed.), Charters of St Albans (Anglo-Saxon Charters XII). . S. E. Kelly (ed.), Charters of Peterborough Abbey (Anglo-Saxon Charters XIV). Keats, Burton, and ‘The Eve of St Agnes’ Pollux in Coetzee’s Disgrace Chough: Semantic and Phonological Development Christina Rossetti: An Unpublished Letter and an Unrecorded Copy of Verses What Ohthere Said Crotthers: Joyce’s ‘Scots Fellow’ in Ulysses Keats’s use of ‘Pip-Civilian’: An Antedating for the OED Entry for ‘Pip’ N2.3 ‘Important If True’: Lucan’s Orpheus and Aethicus Ister

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