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Date Copyrighted
2008
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© The Author 2008. Published by Oxford University Press on behalf of Screen. All rights reserved
issue
2
is
Is Part Of
of
Of other worlds: nature and the supernatural in the moving image installations of Jaki Irvine
Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema
Notes to Contributors
Restyling Factual TV: Audiences and News, Documentary and Reality Genres
Gothic Television
A century of electronic cinema
Filmosophy. The Real Gaze: Film Theory After Lacan
Maximum movies: Lawrence Alloway's pop art film criticism
Spectacle/gender/history: the case of Gone with the Wind
Religion and Film. Cinéma Divinité
Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance. Sessue Hayakawa: Silent Cinema and Transnational Stardom
Stalking the image: Margaret Tait and intimate filmmaking practices
‘It's all there, it's no dream’: Vertigo and the redemptive pleasures of the cinephilic pilgrimage
Chinese Documentaries: from Dogma to Polyphony. Sinascape: Contemporary Chinese Cinema
Expanding the frame: Sally Potter's digital histories and archival futures
Contributors
Lip and Love: subversive repetition in the pastiche films of Tracey Moffatt
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