. "Entre patrimoine et m\u00E9moire collective, la tombe de Georges Brassens"@fr . . "Dossier. Patrimonialiser les musiques populaires et actuelles" . "QDC_022_0090" . . . "En 1991, \u00E0 S\u00E8te, la mise en place d\u2019un espace mus\u00E9ographique enti\u00E8rement d\u00E9di\u00E9 au chanteur Georges Brassens, n\u2019a pas pour autant fait dispara\u00EEtre les pratiques comm\u00E9moratives de ses amateurs qui continuent de se rendre sur sa tombe situ\u00E9e \u00E0 quelques m\u00E8tres du mus\u00E9e. Mener une enqu\u00EAte ethnographique a permis de rendre compte des formes d\u2019attachement associ\u00E9es \u00E0 cette tombe. Si la tombe de Georges Brassens se caract\u00E9rise par sa grande \u00E9conomie de signes, elle semble pourtant jouer plusieurs r\u00F4les essentiels pour ses amateurs\u00A0: leur permettre d\u2019\u00EAtre proches du corps du chanteur et de lui t\u00E9moigner ainsi leur attachement (comme ils auraient pu le faire en assistant \u00E0 un concert de l\u2019artiste)\u00A0; confirmer l\u2019ad\u00E9quation existant entre les valeurs du personnage et celles de l\u2019homme\u00A0; actualiser, avec une forte charge \u00E9motionnelle, leurs souvenirs. Cette enqu\u00EAte fait appara\u00EEtre que le lieu o\u00F9 est enterr\u00E9 Georges Brassens -\u00A0parce qu\u2019il est pris en charge par les collectivit\u00E9s territoriales au lieu d\u2019\u00EAtre d\u00E9ni\u00E9\u00A0- contribue, \u00E0 sa mani\u00E8re, \u00E0 la construction du processus m\u00E9moriel et patrimonial autour du chanteur."@fr . . . . . . . . . . "Between Heritage and Collective Memory: an Ethnographic Study of Georges Brassens\u2019s Grave as a Place of Worship. Although a museum entirely devoted to the French singer Georges Brassens was created in S\u00E8te in\u00A01991, this has not put an end to the memorial practices of his admirers. They still visit his grave located in the vicinity of the museum. The ethnographic study we have conducted has allowed us to identify the various forms of tribute to the singer thus induced by his grave. The grave itself contains very few significant elements; none the less, it seems to play several important roles for his admirers: it enables them to be close to the body of the artist and thus demonstrate their attachment to him as they might have done by attending one of his concerts; it also confirms the coherence between the values he put forward as a singer and those he embodied as a man; lastly it gives a strong emotional strength to the revival of admirers\u2019 memories of Brassens. This survey shows that the place where Brassens is buried -\u00A0particularly because it is maintained by local authorities instead of being ignored -\u00A0contributes, in its specific way, to the building up of a process associating heritage and memory."@en . . . . . . . . . "Between Heritage and Collective Memory: an Ethnographic Study of Georges Brassens\u2019s Grave as a Place of Worship"@en . "Ethnographie d\u2019un lieu de culte" . .